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In The Press:

"Tim Jackson’s effortlessly integrated choreography."

Ben Brantley – New York Times

"Much of the credit also belongs to Tim Jackson’s deliciously comic choreography. Jackson performs feats of ingenious creativity…making physically manifest the most obscure jokes in the score, but never losing their subtlety."

The Spectator

"If the choreography locks in particularly well with the funky, soulful band it’s because Tim Jackson is in charge of both."

The Guardian

"There’s really strong choreography from Tim Jackson, culminating in a fantastic routine for Pet Shop Boys’ What Have I Done to Deserve This. It’s one of the best moments of the show"

The Stage

"choreographed with cheeky wit by Tim Jackson" 

The Independent

"A full-bodied onstage band of eight, under the expert musical direction of Tim Jackson, bring out all the thrilling textures of Guettel’s score…It’s still only February, but we’ll be lucky if we see a better production of a better musical all year in London."

The Stage

"Tim Jackson’s high-energy choreography whizzes pleasurably through the decades"

The Times

"Superbly choreographed Pierrots, adds to the fairy tale unworldliness"

The Stage

"Tim Jackson’s choreography embodies the superficial, brightly-coloured surfaces of Sixties pop culture in ways that somehow only emphasise the poignant incongruity of Dusty’s success, with her high-necked clothing, enormous soul voice and tortured sense of self."

The Telegraph

"Against the fizz of Tim Jackson’s high-octane choreography, Kingsley’s Springfield stands still, cutting poses with the utmost of presence and poise."

Variety

"An early number, Skid Row, is a bracing, acerbic howl of resentment from the underclass"

The Times

“Flying high about the storyline, Tim Jackson’s choreography is a welcomed addition of brilliance”

Gay Times

"Under the musical direction of Tim Jackson, Alan Menken’s ravishing pastiche music and Howard Ashman’s witty lyrics are heard at their most effervescent."

The Stage

“the show builds neatly to its can-do, feelgood, tap-dancing finale…when they do finally dance, you want to dance too.”

The Guardian

"MD Tim Jackson’s excellent octet" 

The Independent

"the company neatly executes Tim Jackson's economical choreography"

Sunday Times

"The band rocks"

The Telegraph

"Luke Sheppard’s modestly scaled production fields just 10 actors…to populate the entire show, but with choreographer Tim Jackson he manages to make it seem busy and full."

The Stage

 

“the Chorus Line-style finale cannot fail to leave you with a smile on your face”

Radio Times

“There are moments of genial excess: Graham Kent’s Spitting Image-style Harold Wilson steps out in a daft morris dance with his aides, miniskirted dollybirds gyrate manically in a tacky Ford advertisement, and when the villainous big boss arrives from the US…the scene is an absurd salute to Americana, with a jigging Ronald McDonald, Marilyn and Elvis.”

The Times

"Sheppard and his colleagues – choreographer Tim Jackson, designer Tom Rogers and lighting designer Howard Hudson – create the perfect atmosphere, completely immersing the audience in compelling drama and song."

The Stage