Development
One of my greatest passions is for the development of new writing and the re-exploration of preexistent works.
I am currently director-dramaturg on a debut play by an award-winning screenwriter and also developing a new musical by an award-winning writing partnership. My expertise in music and movement allows me to engage with new writing with a wholistic dramaturgical eye. I'm always keen to meet new writers and discuss evolving projects, at whatever stage they might be on their journey.
If you have a project you would like to discuss please do contact me here.
Development work includes:
GREAT EXPECTATIONS (National Theatre Studio, by P Burton-Morgan & Tim Gilvin)
MISS LITTLEWOOD (RSC, by Sam Kenyon)
DRINK (National Theatre Studio, by Richard Thomas)
DUSTY (Eleanor Lloyd Productions, by Jonathan Harvey)
THE WOMAN IN WHITE (Really Useful Group, by Andrew Lloyd Webber & David Zippel )
HIGH SOCIETY (Old Vic Theatre, by Cole Porter & Arthur Kopitt)
THE SEASON (Stiles and Drewe/MTI Award, by Kit Buchan & Jim Barne)
TREASURE ISLAND (Bolton Octagon, by Kate Ferguson & Sue Pearce)
THE SECRET DIARY OF ADRIAN MOLE AGED 13¾ (Leicester Curve, by Jake Brunger & Pippa Cleary)
THE PROTAGONISTS (The Other Palace, by Kevin Del Aguila & Michael Schaib)
WIGMAKER (The Stable, by Douglas Hodge & Bryony Lavery)
THE JUNGLE BOOK (Metta Theatre, by P Burton Morgan & Filipe Gomes)
THE MAGIC FLUTE (Metta Theatre, by P Burton-Morgan & W.A.Mozart)
THE QUEEN'S NOSE (LSMT, by Charles Miller & Tim Sanders)
DON'T TELL ME NOT TO FLY (Underbelly, co-created with Kate Golledge)
FANATICAL (The Stable, by Matt Board & Reina Hardy)
THE OTHER SCHOOL (NYMT, by Dougal Irvine & Dominic Marsh)
LORD OF THE FLIES (Sam Julyan Productions, by Shaun Davey & Joanne Pearce)
HITCHHIKING ACROSS AMERICA (devised with Hannah Chissick)
LOCKHART (Mountview, by Jason Carr & Ashley Robinson)
BACK TO BEFORE (devised with Kate Golledge)
HIS GRACE'S BETTING SHOP (Will Young Productions, by Mike Stone)