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DIRECTION

"Tim Jackson’s production – no conventional romcom – is flawless."

THE OBSERVER

on Two Stangers (Carry A Cake Across New York)

"Dynamically directed by Tim Jackson...the show bursts with imagination, intelligence and twinkling irreverence."

THE GUARDAIN

on The Hound Of The Baskervilles

"I often found myself sitting in wonder...directed by Tim Jackson, this evening is hugely entertaining...humorous and outstanding performances"

MUSICAL THEATRE REVIEW

on Kinky Boots

"It is rare to see a brand-new piece whereby the story, music and staging work completely harmoniously...Tim Jackson's direction is fast-moving and detailed...a knockout new musical - joyful and refreshing"

BROADWAY WORLD

on The Season

"Under Jackson’s masterly direction, by the end of the show the audience is totally invested in this couple’s tale."

MUSICAL THEATRE REVIEW

on The Season

"Tim Jackson’s lively production, which boldly evokes a world fit for swashbuckling adventures"

THE STAGE

on Treasure Island

"A self-referential treat...In the hands of director and choreographer Tim Jackson, the jokes land like a blizzard of falling snow"

THE INDEPENDENT

on Two Stangers (Carry A Cake Across New York)

Director Tim Jackson has done an excellent job...rest assured, Kinky Boots is a fantastically feel-good time." 

WHATSONSTAGE

on Kinky Boots

"Tim Jackson’s sprightly direction, culminating in a great sight gag in a Chinese restaurant, keeps the relationship with romcom sentimentality always more curt than Curtis.”

THE GUARDIAN

on The Season

"Tim Jackson’s engaging production...Funny, heartfelt but unsentimental, it’s a charmer""

THE GUARDIAN

on Two Stangers (Carry A Cake Across New York)

"Sensational...almost too good to put into words" 

SUFFOLK NEWS

on Kinky Boots

“A miniature Christmas miracle”

THE TIMES

on The Season

CHOREOGRAPHY

"Tim Jackson’s effortlessly integrated choreography."

NEW YORK TIMES – Ben Brantley

on Merrily We Roll Along

“the show builds neatly to its can-do, feelgood, tap-dancing finale…when they do finally dance, you want to dance too.”

THE GUARDIAN - Lyn Gardner - on Stepping Out

"There’s really strong choreography from Tim Jackson, culminating in a fantastic routine for Pet Shop Boys’ What Have I Done to Deserve This. It’s one of the best moments of the show"

THE STAGE - Tim Bano

on Dusty

"Tim Jackson’s high-energy choreography whizzes pleasurably through the decades"

THE TIMES - Sam Marlowe

on Dusty

"Tim Jackson's inventive staging of the numbers, particularly the football matches, are a highlight."

Whatsonstage - David Phipps-Davis

on The Beautiful Game

"choreographed with cheeky wit by Tim Jackson" 

THE INDEPENDENT - Paul Taylor

on The Secret Diary Of Adiran Mole Aged 13¾

"Much of the credit also belongs to Tim Jackson’s deliciously comic choreography. Jackson performs feats of ingenious creativity…making physically manifest the most obscure jokes in the score, but never losing their subtlety."

THE SPECTATOR - Kate Maltby

on The Kissing Dance

"Superbly choreographed Pierrots, adds to the fairy tale unworldliness"

THE STAGE - Scott Matthewman

on The Roar Of The Greasepaint The Smell Of The Crowd

“Flying high about the storyline, Tim Jackson’s choreography is a welcomed addition of brilliance”

GAY TIMES - Jordan Priestley

on Stepping Out

"Against the fizz of Tim Jackson’s high-octane choreography, Kingsley’s Springfield stands still, cutting poses with the utmost of presence and poise."

VARIETY - Matt Truman

on Dusty

"An early number, Skid Row, is a bracing, acerbic howl of resentment from the underclass"

THE TIMES - Sam Marlowe

on Little Shop Of Horrors

“the Chorus Line-style finale cannot fail to leave you with a smile on your face”

RADIO TIMES

on Stepping Out

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